Nasco a Milano nel 1992. Mi diplomo in grafica pubblicitaria e successivamente mi iscrivo all’Accademia Di Belle Arti di Brera, dove termino il corso triennale in Grafica d’Arte diplomandomi a pieni voti. Completo la mia formazione iscrivendomi al Biennio Specialistico di Pittura nella stessa accademia e completando gli studi nel Giugno del 2020. Dal 2016 collaboro con gallerie d’arte partecipando a mostre personali e collettive.
Various reasons for his suicide have been suggested, including a bout of acute depression, insomnia, a failed romance, and the pressure that had come with success - he reportedly killed himself followed an unsuccessful meeting with an art critic. In a letter to his stepson, Antoine Tupal, de Staël wrote that "I don't know what I am going to do. Perhaps I have painted enough. I have achieved what I wanted. The children have what they need." By the end of his life, therefore, it is even possible that de Staël felt he had reached the apogee of his career, and that nothing remained for him to accomplish (though this contradicts the image of the masochistic perfectionist painted above). In any case, there is a sense of tragic poetry in the conclusion to his life, as he undoubtedly killed himself at the height of his creative powers.
George Ralston Crawford, who created images of the American industrial landscape in a precisionist style, was born in St. Catharines, Ontario, near Niagara Falls, in 1906; his family moved to Buffalo, N.Y. in 1910. Crawford's interest in docks, shipyards, bridges, and grain elevators stems from a childhood spent traveling around the Great Lakes with his father and also from several years as a young sailor. In the mid-1920s Crawford turned to art, studying until 1932 at the Otis Art Institute in Los Angeles, the Pennsylvania Academy of the Fine Arts, the Barnes Foundation, Merion, Pa., and the Hugh Breckenridge School, East Gloucester, Mass. His exposure to the precisionist art of Demuth and, especially, Sheeler while a student at the Barnes Foundation from 1927 to 1930, fueled his interest in industrial subjects. During the early 1930s, at a time when many American artists were turning away from the wave of modernism that had swept the country since the early teens, Crawford adopted a precisionist style, creating smoothly painted images of subjects specifically associated with America, such as skyscrapers, industrial structures, and machinery. His work was characterized by flat geometric planes, well defined, and illuminated by shafts of clear light and shadow.
Paul Jackson Pollock was born on January 28, 1912, in Cody, Wyoming. He grew up in Arizona and California and in 1928 began to study painting at the Manual Arts High School, Los Angeles. In fall 1930 Pollock moved to New York and studied under Thomas Hart Benton at the Art Students League. Benton encouraged him throughout the succeeding decade. By the early 1930s Pollock knew and admired the murals of José Clemente Orozco and Diego Rivera. Although he traveled widely throughout the United States during the 1930s, much of Pollock’s time was spent in New York, where he settled permanently in 1934 and worked on the Works Progress Administration Federal Art Project (1935–42) and in David Alfaro Siqueiros’s experimental workshop in New York (1936).
